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In front of a Buddhist temple were some tanks in which enormous tortoises were swimming. On the building, above carvings of elephants in relief on the stone, were a number of mural paintings, artless and terrible scenes set forth with the utmost scorn of perspective and chiaroscuro: a place of torment where green monsters thrust the damned against trees of which the trunks are saws, and enormous red and yellow birds devour living victims.And, quite unexpectedly, as we turned a corner beyond the coppersmiths' alley, we came on a row of tea-shops, displaying huge and burly china jars. Chinamen, in black or blue, sat at the shop doors in wide, stiff armchairs, their fine, plaited pigtail hanging over the back, while they awaited a customer with a good-humoured expression of dull indifference.
Slider 1 ONE:The pile of the girl with marigold wreaths and the shroud stained crimson and purple flung her ashes to the winds, reduced to mere atoms of bone and light cinder, and the servants of the place drowned a few still glowing sticks in the river;[Pg 169] the family and friends slowly went up the yellow stone steps and disappeared through a gateway leading into the town.
Slider 2 ONE:Then some gardens looking like hothouses, concealing bungalows, and a gleaming lake among the greeneryand this was Kandy.
Slider 3 ONE:In the mystery of a polychrome temple, whose walls are closely covered with sculptured bas-reliefs of gods in the shape of men or animals, is a relic, the sacred tooth of Buddha; and all about the precious object, which is enclosed in a series of shrines within impenetrable walls, there is no sign of respect, but all the noise and bustle of a fair, a perfect turmoil of hurrying, chattering folk, whose only anxiety is to keep unbelievers away from the sacred spot.
ONE:At the bottom of the steps, almost in the street, was another school at the entrance to a temple. The children, in piercing tones, were all spelling together under the echoing vault, a terrible noise which seemed to trouble nobody.

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THREE:As we approached the Afghan frontier, camp followed camp, clustering round the railway stations that lie closer together on the line. In the morning and towards evening there was a constant hum round the train, of bagpipes, bugles, and drums, and the red or grey ranks were to be seen of soldiers at drill.

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ONE:

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THREE:The little palace of Nilam Bagh, panelled inside throughout with carved wood, looks like a jewel-casket dropped in a vast park of green shade and[Pg 85] broad lawns. Rawl Shri Bhaosinhji, Rajah of Bhawnagar, is very young, almost a child, and still very shy, dressed in the European fashion in a long grey overcoat, with a voluminous turban of turquoise-blue gauze.[Pg 244]

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THREE:And once more in a barge on the Ganges. The atmosphere seemed faintly iridescent, like mother-of-pearl, the silence serenely lulled by the distant sound of a flute. The palaces and temples, reflected in the still water, looked in the distance like forts crowned with turrets of gold, and their little windows like loopholes. The broad stairs of the quays, where the priests' umbrellas glitter, assumed a spacious, unfamiliar dignity, the red colour shading paler towards the bottom, where it was washed off by the lapping Ganges, looking as though a fairy hanging of gauze were spread under the wavelets in honour of the Apsaras and the divinities of the river.

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THREE:A delightful surprise was a museum of Indian art, the first I had seen, a fine collection and admirably arranged;[A] but the natives who resorted hither to enjoy the cool shelter of the galleries talked to each other from a distance, as is their universal custom, at the top of their voices, which rang doubly loud under the echoing vaults.

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THREE:The almost imperceptible hum of a bagpipe came up from below; in a white mosque of open colonnades enclosing a paved court, and in front of the little lamps that burned above the holy of holies sheltering the Koran, figures in light garments were prostrate in prayer; their murmurs came up to us in sighs, mingling with the slow and tender notes of the music.

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ONE:In the atmosphere floated a pale blue smoke, rising from a heap of weeds that some children were burning, a weird sort of incense, acrid and aromatic, fading against the too-blue sky.

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THREE:Outside the night is moonless, deep blue. Venus seems quite close to us, shining with intense brightness, and the jasmines scent the air, softly lighted by the lanterns which burn out one by one.

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THREE:

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THREE:In the coppersmiths' street was a booth that seemed to be a school of art, where little fellows of seven or eight were engraving platters and pots with the decision of practised craftsmen.

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THREE:Another temple, Sas Bahu, likewise elaborately carved under a roof too heavy for it, has a terrace overhanging the hill, whence there is a view over Lashkar, the new palace, gleaming white among the huge trees of the park.And suddenly, emerging from the ruins, we came on a Moslem street with high walls, windowless, and waving plumes of banyan and palm trees rising above the houses.

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ONE:Back to the station, where we lived in our carriage, far more comfortable than a hotel [Pg 58]bedroom. T., my travelling companion in Gujerat, received a visit from a gentleman badly dressed in the European fashion, and followed by black servants outrageously bedizened. When this personage departed in his landau, rather shabby but drawn by magnificent horses, T. was obliged to tell me he was a rajahthe Rajah of Suratquite a genuine rajah, and even very rich, which is somewhat rare in these days among Indian princes.At Roza, the plateau above the Hindoo sanctuaries, above a dozen of Moslem mausoleums are to be seen under the spreading banyans that shelter them beneath their shade, and sometimes hide them completely; the white objects are in a whimsical style of architecture, hewn into strange shapes, which in the doubtful starlight might be taken for ruins.

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TWO:We left Rawal Pindi in a tonga. The night was black, the carriage had no lamps; but now and again, at the sound of the driver's horn, dark massesbaggage camels, scarcely distinguishable in the gloommade way for us to go past at a gallop.

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ONE:

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In the evening, in the open street, we came upon a circle of bystanders all beating time, while in the midst four little girls were dancing, wearing the sarong, but naked to the waist. They leaned very much over to the right, resting the right elbow on the groin, clapping the right hand with the left, and throwing back the left leg. All four did the same, round and round, and this went on again and again without a pause, under the pale light of the stars filtering through an enormous banyan tree. Occasionally a woman among the crowd would give a slow, long-drawn cry, and the dancers answered in very short notes, piercingly shrill.
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